All Francisco de Goya Oil Paintings

Spanish 1746-1828 Francisco de Goya Locations was an Aragonese Spanish painter and printmaker. Goya was a court painter to the Spanish Crown and a chronicler of history. He has been regarded both as the last of the Old Masters and as the first of the moderns. The subversive and subjective element in his art, as well as his bold handling of paint, provided a model for the work of later generations of artists, notably Manet and Picasso. Goya married Bayeu's sister Josefa in July 25, 1773. His marriage to Josefa (he nicknamed her "Pepa"), and Francisco Bayeu's membership of the Royal Academy of Fine Art (from the year 1765) helped him to procure work with the Royal Tapestry Workshop. There, over the course of five years, he designed some 42 patterns, many of which were used to decorate (and insulate) the bare stone walls of El Escorial and the Palacio Real de El Pardo, the newly built residences of the Spanish monarchs. This brought his artistic talents to the attention of the Spanish monarchs who later would give him access to the royal court. He also painted a canvas for the altar of the Church of San Francisco El Grande, which led to his appointment as a member of the Royal Academy of Fine Art. In 1783, the Count of Floridablanca, a favorite of King Carlos III, commissioned him to paint his portrait. He also became friends with Crown Prince Don Luis, and lived in his house. His circle of patrons grew to include the Duke and Duchess of Osuna, whom he painted, the King and other notable people of the kingdom. After the death of Charles III in 1788 and revolution in France in 1789, during the reign of Charles IV, Goya reached his peak of popularity with royalty.
 

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Francisco de Goya Portrait of Dona Isbel de Porcel oil on canvas


Portrait of Dona Isbel de Porcel
Portrait of Dona Isbel de Porcel
Painting ID::  33747
  mk86 1805 Oil on canvas 82x54.6cm London,National Gallery
  mk86 1805 Oil on canvas 82x54.6cm London,National Gallery

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Francisco de Goya Last Communion of St Joseph of Calasanz oil on canvas


Last Communion of St Joseph of Calasanz
Last Communion of St Joseph of Calasanz
Painting ID::  38269
  mk132 1819 Oil on canvas 250x180cm
  mk132 1819 Oil on canvas 250x180cm

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Francisco de Goya Agony in the Garden oil on canvas


Agony in the Garden
Agony in the Garden
Painting ID::  38270
  mk132 1819 Oil on canvas 47x35cm
  mk132 1819 Oil on canvas 47x35cm

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Francisco de Goya A Scene from El Hechizado por Fuerza oil on canvas


A Scene from El Hechizado por Fuerza
A Scene from El Hechizado por Fuerza
Painting ID::  43277
  mk170 1798 Oil on canvas 42.5x30.8cm
  mk170 1798 Oil on canvas 42.5x30.8cm

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Francisco de Goya A Picnic oil on canvas


A Picnic
A Picnic
Painting ID::  43278
  mk170 1785-1790 Oil on canvas 41.3x25.8cm
  mk170 1785-1790 Oil on canvas 41.3x25.8cm

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     Francisco de Goya
     Spanish 1746-1828 Francisco de Goya Locations was an Aragonese Spanish painter and printmaker. Goya was a court painter to the Spanish Crown and a chronicler of history. He has been regarded both as the last of the Old Masters and as the first of the moderns. The subversive and subjective element in his art, as well as his bold handling of paint, provided a model for the work of later generations of artists, notably Manet and Picasso. Goya married Bayeu's sister Josefa in July 25, 1773. His marriage to Josefa (he nicknamed her "Pepa"), and Francisco Bayeu's membership of the Royal Academy of Fine Art (from the year 1765) helped him to procure work with the Royal Tapestry Workshop. There, over the course of five years, he designed some 42 patterns, many of which were used to decorate (and insulate) the bare stone walls of El Escorial and the Palacio Real de El Pardo, the newly built residences of the Spanish monarchs. This brought his artistic talents to the attention of the Spanish monarchs who later would give him access to the royal court. He also painted a canvas for the altar of the Church of San Francisco El Grande, which led to his appointment as a member of the Royal Academy of Fine Art. In 1783, the Count of Floridablanca, a favorite of King Carlos III, commissioned him to paint his portrait. He also became friends with Crown Prince Don Luis, and lived in his house. His circle of patrons grew to include the Duke and Duchess of Osuna, whom he painted, the King and other notable people of the kingdom. After the death of Charles III in 1788 and revolution in France in 1789, during the reign of Charles IV, Goya reached his peak of popularity with royalty.

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